Asexuality! A Solo Musical
Written & Performed by Rebecca McGlynn; Directed by Heather Dowling
10th Annual Queerly Festival presented by FRIGID New York
Under St. Marks, 94 St Marks Place, NYC
June 22nd and 23rd
As we approach Independence Day, the phrase “The Pursuit of Happiness” comes to mind. What does our Declaration of Independence mean by “The Pursuit of Happiness” – as an inalienable right? Asexuality! A Solo Musical asks, “What does it mean to be a man in the 21st century?” and here I am applying 18th century concepts. Scholars don’t seem to think it means “chasing” happiness, but “practicing” it. It’s a nuance I like, as it means we are constantly learning, and growing.
The audience is taken on a wonderfully funny, yet poignant journey through Robert’s life where he discovers he is an asexual man. Discovering the term Asexuality is a great milestone on his journey, as it explains so much of what he’s been feeling, or perhaps not feeling. While Robert experiences romantic attraction for women, there is no sexual attraction. So, how does an asexual man navigate a hypersexual world?
Rebecca McGlynn’s song about representation is brilliantly done. We all want to see someone like us on TV, and perhaps it’s a good thing that Dexter Morgan isn’t a perfect match! But if you don’t find what you’re looking for, create it – maybe even write a musical about it!
Interactive video segments are a dangerous medium – it is rare anyone gets the timing right and the illusion is broken. Rebecca McGlynn’s use of the medium is masterful. I had to remind myself that the characters appearing on screen were pre-recorded and not behind the skrim somewhere. Which is why I can forgive them for not swatting the flies that were attracted to their light.
Robert’s journey is magical. This 80-minute play isn’t without its twists and turns. “You waited until minute 67 to tell me!?!” I watched the practice of happiness - practice - something we’re all working towards. And I witnessed such a moment of pure joy: when someone finds their truth.
While the play ends, the journey continues. Catch it while you can!
Click HERE for tickets.
Reviewed by Nicole Jesson.
Published by Theatre Beyond Broadway on June 23rd, 2024. All rights reserved.